Craie

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Portrait of a young woman, at bust-length - black, white and blue chalk, stumping

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Lot n° 76
56,4cmx43,5cm

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Louis Burtin - Craie noire signée

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Lot n° 132
50,5cmx42,5cm

CATALOGUE NOTE

INTRODUCTION TO SECTION :

Jean-Louis Burtin, sculptor from Nancy, created an important collection of paintings, drawings, sculptures and printes by Lorrain artists. This group was kept by Jean-Louis Burtin's descent until now. It represents only a part of his collection which counted over 300 paintings, drawings and sculptures, and hundreds of prints and an important library. Lots 155 and 157 were however never part of the Burtin collection as they were purchased by his son-in-law.

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La danse - Craie et pastel, signé

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Lot n° 289
73cmx104cm

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A moravian peasant woman going to market - Craie signée

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Lot n° 167
30,5cmx23,2cm

Exposé à :
Cambridge, Massachusetts, Fogg Art Museum/Malibu, J. Paul Getty Museum/Montreal, Museum of Fine Arts, Louis XIII - Louis XVI:  French Drawings from a Private Collection, 1980, pp. 138-139, no. 49 (as 'La Belle Finnoise');
Tampa Museum, Louis XIII - Louis XVI:  French Drawings from a Private Collection, 1982

LITTERATURE

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Songe - Craie noire signée

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Lot n° 469
78cmx62cm

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Etude de femme - Dessin à la craie bleue signé

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Lot n° 238bis
22cmx32cm

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Junge dame mit hut - Craie noire et craie rouge

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Lot n° 3448
33cmx23cm

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Bouquet de fleurs - Dessin à la craie signé

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Lot n° 15
54cmx45cm
 

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Portraits of the Kings of France: Faramond, Claudion, Clotaire - Quarante neuf dessins aux craies de couleur

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Lot n° 101
13cmx11cm
Craie couleur, bodycolour, heightened gold on vellum

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Mère et enfants à la ferme - Dessin à la craie signé

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Lot n° 245
20cmx26,8cm

Leprince trained in the studio of François Boucher and this combined with his own abundant artistic talent, lead him into a successful artistic career in Paris.  However, in 1758, probably due to his own unhappy marriage, Leprince fled to Russia, remaining there until 1764.  In addition to a number of court and society commissions, he made a large number of costume and landscape studies in the Russian hinterland, which were to form the basis of his highly fashionable output on his return to France.

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